Sergey Konstantinovich Zaryanko (1818 - 1871) was a Russian painter, he was as a pupil of Venetzianov  Related Paintings of Sergey Zaryanko :. | Portrait Of Princess Trubetskaya | The White Hall In The Winter Palace | Portrait Of Adjutant-General K. A. Shilder | In The Hall Of The Law College | Portrait Of The Artist Feodor Petrovich Tolstoy |
Related Artists:
SUBLEYRAS, Pierre
French Painter, 1699-1749 was a French painter, active during the late-Baroque and early-Neoclassic period, mainly in Italy. Subleyras was born in Saint-Gilles-du-Gard, France. He left France in 1728, having carried off the French Academy's grand prix, which carried scholarship for study in Rome. In Rome, he painted for the Elector of Saxony, Frederick Christian, a "Christ's Visit to the House of Simon the Pharisee" , (later engraved by Subleyras himself), this work procured his admission into the famed Roman artists guild, Accademia di San Luca. Cardinal Valenti Gonzaga next obtained for him the order for Saint Basil & Emperor Valens (also known as the Mass of St. Basil , which was executed in mosaic for St Peter's. Another masterpiece is his painting of St. Camillo De Lellis coming to the rescue of the diseased at the hospital of the Holy Spirit He was a remarkably incisive portraitist, as evident from the portrait of Pope Benedict XIV or of the obese Cardinal Valenti Gonzaga . The pope himself commanded two great paintings, the "Marriage of St Catherine" and the "Ecstasy of St Camilla", which he placed in his own private apartments. Subleyras shows greater individuality in his curious genre pictures, which he produced in considerable number (Louvre).
granados
Period: Post-Romantic (1870-1909) Country: Spain Born: July 27, 1867 in L??rida, Spain Died: March 24, 1916 in At sea (in the English Channel) Genres: Chamber Music, Keyboard Music, Miscellaneous Music, Opera, Vocal Music
Benedito Calixto
(14 October 1853 -- 31 May 1927) was a Brazilian painter. His works usually depicted figures from Brazil and Brazilian culture, including a famous portrait of the bandeirante Domingos Jorge Velho in 1923, and scenes from the coastline of São Paulo. Unlike many artists of the time, Calixto's patron was an individual other than the state, who were "the most dependable source of patronage."